Harry Nilsson - Knnillssonn

Realizing that he had nothing left to lose when he got to the end of his RCA contract, Harry Nilsson wound up recording his best, most distinctive record since Pussy Cats, maybe, Son Of Schmilsson. Abandoning the very idea of a mainstream pop album is just the beginning of his conceptual coup here with Knnillssonn. Recording almost all of the sounds with keyboards and guitars, Nilsson also decided to drive the guitars into the background. In some ways, this may make it similar to A Little Touch Of Schmilsson In The Night, but instead of being a standards record, this is all new material, written in a classical pop style and delivered in a slightly modernistic fashion. Read More